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Is God Supposed to be Fun?

On Fridays I will re-posting my column from the Emergent Village blog on Patheos.com. Visit the EV blog to what others are saying at www.patheos.com/blogs/emergentvillage. Here is today’s column, the third in my sereis called Improvisational Christianity.

This is the third post in my exploration of Improvisational Christianity. You may want to catch up by reading the first two posts:

1. Improvisational Christianity: I Hope You Like Me

2. Saturday Night Live, Modernity and Stories

The first rule of improv we looked at last week was “Tell a Story.” This week we look at the second rule I learned as an improviser:

Rule #2 – Everyone Plays.

Deeply embedded in this rule is that improvisation is supposed to be fun and communal.

So is life.

My friend Missy was diagnosed with cancer. Her life wasn’t fun. It was scary and painful and uncertain. She was given serious medical advice to find a hobby that could serve as a distraction from her illness.

Just like I wandered broken into the Second City in Las Vegas, Missy wandered sick into the SAK Comedy Lab in Orlando for her first improv class. The first thing she was told there was that this is “an ok place to fail.” Missy broke down in thankful tears knowing that she needed that more than anything else in the world. She needed a safe place to have fun again.

Missy recovered from cancer. (Twice actually.) But she never recovered from improv. She teaches it in Cincinnati and coaches a local troupe that I play with called The Q City Players.

Did you happen to notice all the “playing” in that last sentence alone?

I said that I “play” with The Q City “Players.” This is something you should know about improvisers. We are so serious about play that the word itself is never far from our lips. When we perform, we call it “playing games.” When we invite someone to do a show we say, “Do you want to come play with us?” If it sounds like the way little kids talk, it should. We’ve rediscovered child-like secrets that we lost long ago – that people were born to play, and to play in a community where it is ok to fail. Everyone Plays.

Just so you know this isn’t just right-brained bohemian hippie crazy talk. There is serious science behind it. Psychiatrist and adult play expert Dr. Stuart Brown said the following during at interview for his book, Play: How it Shapes the Brain, Opens the Imagination, and Invigorates the Soul:

“It is that we, as homo sapiens, are fundamentally equipped for and need to play actively throughout our lifespan by nature’s design. While most social mammals have a life cycle that involves dominance and submissiveness (as in Chimpanzee troops or wolf packs) with play diminishing significantly as adulthood arrives, we retain the biology associated with youthfulness despite still dying of old age! By this I mean that our overall long period of childhood dependency, which is dominated by the need for play, does not end with our reaching adulthood. Our adult biology remains unique among all creatures, and our capacity for flexibility, novelty and exploration persists. If we suppress this natural design, the consequences are dire. The play-less adult becomes stereotyped, inflexible, humorless, lives without irony, loses the capacity for optimism, and generally is quicker to react to stress with violence or depression than the adult whose play life persists. In a world of major continuous change (and we are certainly facing big changes economically now) playful humans who can roll with the punches and innovate through their play-inspired imaginations will better survive. Our playful natures have arrived at this place through the trial and error of millions of years of evolution, and we need to honor our design to play.”

It makes one wonder if part of the God-image in us, that which makes us eikons reflecting his glory unlike anything else in all of creation has something to do with God’s (and our) playfulness.

An improvisational Christianity would have to be playful. The God of an Improvisational Christianity would have to have capacity for fun. So here is the question that I ask with a little uncertain trepidation:

Is the God of the Bible playful?

The short answer is yes…and no. God comes off very seriously and often perturbed in the Bible. Perhaps for this reason, most Christians I know are overly serious (and perturbed) people. Having fun in my specific evangelical heritage was, at best, a necessary distraction. At worst it was a damnable sin. (If the fun involved alcohol, dancing or a 12-sided D&D die, for instance.)

However, there is also a strange unqualifiable mirth, perhaps even a mischievousness, to the God reflected in the Scriptures. (Talking donkeys, floating axe-heads, prostitutes always saving the day, really old women constantly getting knocked up by their husbands, etc.)

G.K. Chesterton was either one of the smartest men who ever lived or such a masterful wordsmith that he comes off as such. What he says at the end of his masterpieceOrthodoxy has stuck with me for years:

“Now, to put the matter in a popular phrase, it might be true that the sun rises regularly because (God) never gets tired of rising. His routine might be due, not to a lifelessness, but to a rush of life. The thing I mean can be seen, for instance, in children, when they find some game or joke that they specially enjoy. A child kicks his legs rhythmically through excess, not absence, of life. Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we.”

Chesterton takes the time-tested iconic image of the white-bearded-grandfather God and replaces him with  the eight-year-old-mischievious-boy-holding-a-muddy-horny-toad God.  A God who is younger than us would know how to really play. Maybe Chesterton’s Younger God is exactly what we all need after a few millenia of Grandpa God.

It all makes me think that the most urgently serious question to ask might be this:

Is the God we inherited playful enough to be considered seriously?

Are Christians having enough fun to be taken seriously with our claim to have good news? Are our Christian communities known for our scandalous mirth? Is my God fun?

My concern is that all of us our deceived. What if we are actually still simple seven-year old kids who want to play with our friends? But we now suddenly find ourselves trapped in aging bodies with monthly mortgages, unused business cards and cut-rate auto insurance.

This concern, along with my initial reading Orthodoxy ten years ago, lead me to write a fairy tale under that very premise. If you want it, you can find Between Two Kingdoms on Amazon. If you don’t want to pay for it, I’m sure it is pirated somewhere on the interweb.

I’ll end this post with one more Chesterton quote. It happens to be the same quote that begins my fairy tale.

Fairy tales are more than true; not because they tell us that dragons exist, but because they tell us dragons can be beaten.

We need to believe in dragons again.

So we can have fun beating them together.

Here’s to an emerging expression of Christianity where everyone plays, it’s ok to fail, and really old ladies still get knocked up by their husbands.

@JoeBoyd blogs daily at www.joeboydblog.com

Follow Joe’s friend Missy Whitis at @HotShotPR

Saturday Night Live, Modernity and Stories

My life changed forever the day I wandered into an abandoned dance studio just west of the Las Vegas Strip on a Wednesday afternoon. It was my first professional improvisational comedy class at The Second City. I had no idea that my life was about to shift so dramatically.

I had always been fascinated with improv and sketch comedy. As a kid, I used to sneak out of my room at 12:30 a.m. on Sunday mornings to catch the last thirty minutes ofSaturday Night Live. In high school I watched a short-lived TV show of improv games taped at The Groundlings theater in LA. (I had no clue that I would be on that same stage about 15 years later.) I discovered Whose Line Is It Anyway? when I was about 14. I was amazed. It felt like magic. I could not believe that these guys were just making stuff up. This was the British version that aired on some-probably-defunct early 1990’s cable station.

You know how it so trendy to say that the British version of The Office is better than the American version? That what I was saying in high school about Whose Line, but my friends had seen neither version. So I never actually got to have the argument.

As an adult I became particularly obsessed the theory of sketch comedy, specifically with the history of SNL. As a pastor, my church services at times felt more like a comedy club than a church. I just couldn’t help it.

But church work was killing me. It wasn’t fun except for those few moments when I turned it into a show. And I knew that church as a show wasn’t church at all. I was so depressed that one Christmas my wife gave me the gift of improv classes at The Second City, generally regarded as the preeminate place to study improv. They had recently started a show and a school in Las Vegas. Her thinking was that maybe my interest of comedy could turn into a hobby. Neither of us knew it would turn into much more.

My first improv teachers have found recent success. Jason Sudeikis is a current SNLcast member and emerging movie star, Kay Cannon is an Emmy-winning writer on 30 Rock and Joe Kelly is a talented writer/producer on How I Met Your Mother. At the time they were just people my same age who had devoted their lives to comedy the same way I had devoted mine to church planting. I was late to their party, but I was on-my-knees grateful to find them. At The Second City, I felt at home for the first time in my life.

Jason on SNL with Kristen Wiig

Improv is all about making stuff up – there are no scripts or agendas. It is play. To make this scriptless world work, there are rules. For some reason, that surprised me. Many people think that improvisation is about doing whatever you want, but it is actually a quite contained discipline of doing the right thing however you want.

I’ll be discussing some of the common rules of improv over my next seven posts here. I want to start with the first thing I was told at The Second City in that dance studio. (It was also the very first thing I was told when I began studying at the afore-mentioned Groundlings Theater in L.A. years later.) The first rule of improv is…

Rule #1 – Tell a Story.

Improv is about storytelling. It is not about joke telling. That’s stand-up comedy. That’s not us. We tell stories that have a beginning, middle and end. If we fail to tell a story, we have failed ourselves, our scene partners and our audience.

Story is the foundation of improv.

Because Story is also the foundation of life.

Today we tend to think of storytellers (filmmakers, actors, musicians, writers, etc.) as those who live on the cultural fringe. We like having them around because they entertain us. The really important vocations are doctors, politicians, lawyers, CEO’s and the like. They do the real stuff that matters. Story-artists are a fun, but disposable perk to modern culture. (Case in point: my kids’ school system is cutting music and theater programs to make budget, but leaving algebra and science untouched.)

The problem with this attitude is that it is a 300-year-old fad that is running its course on our watch.

Before the Enlightenment – before Fact was King – Story was King. The storytellers were the center of culture. The campfire was where the elders told stories that shaped the next generation. We see clearly that Jesus was an ancient storyteller like this.

Don’t get me wrong. Facts are useful. Nothing is more annoying than people who ignore the facts in front of them. (That’s actually one of the other rules of improv.)

But Story changes people. Facts are useful, but Story is foundational.

An Improvisational Christianity must primarily be a Narrative Christianity.

I was converted into an Informational Christianity. That was what Evangelical Protestantism had improvised into over the last few centuries before I entered the world. I can’t bemoan that too much. If the faith improvises with culture, then we must have needed that sort of understanding of the gospel to survive modernity – namely a gospel that is primarily about justification and afterlife through a rationalistic legal agreement between the individual and God at the cost of Jesus. We needed a Christianity that could turn faith and meaning into the equivalent of math and science problems with correct and incorrect answers.

The problem is that many of us don’t live in that world anymore. That’s not the sort of Christianity we want, need or can even envision. Christianity is improvising again in pace with the culture. I believe it is correcting an over-emphasis on modern rationalism and swinging back toward its ancient foundations. And I think the cornerstone of it all is Story. For many of us to be a Christian is fundamentally defined as living consciously within the story of YHWH, Israel, Jesus and the Church. Everything else submits to that Story.

I’d love to hear from those of you who resonate with this language. What does a more narrative Christianity mean for you? How do you flesh it out in practice?

The next rule of improv is Everyone Plays. We will look at that next week.

*This was originally posted last week on www.patheos.com. I write a weekly Friday column there on Improvisational Christianity in the Progressive Christianity portal at this link. I’ll repost some of the essays here as well. Patheos is a fascinating online conversation among people of different faiths and backgrounds. Check it out sometime.

Hitting The Nuts Wins at Las Vegas Film Festival

I am back in the friendly skies headed home to Cincinnati. I miss my bed. We had a great week in Las Vegas. Personally, it was great to be back. Aidan, my 9 year old, said that he felt like he was home in Vegas. (He was only 3 when we moved away.) This statement both thrilled and worried me a little :)

On the business side, Hitting The Nuts screened to a full house and was universally praised. We won another award. It is all nice, but the real joy is taking a story I made with my friends and watching strangers belly laugh for 100 minutes. In short, we made a real movie that makes people have a better day. That’s something to be proud of. 
If you are the type of person who needs the details…or a writer for the Hollywood Reporter, I have pasted todays press release below. 
PRESS RELEASE
July 18, 2011
Hitting The NutsWins at Las Vegas Film Festival
The poker-themed comedy Hitting The Nuts won a Golden AceAward for Superior Filmmaking at the 2011 Las Vegas Film Festival. This is thethird award in as many festivals. (The movie won Best Feature Film at both theCincinnati Film Festival and the Derby City Film Festival earlier this year.)
The movie screened at the Las Vegas Hilton on July 16thto a packed house. Joe Boyd is the producer and director of the movie. He says,“It really was an amazing reception. The crowd never stopped laughing frombeginning to end. We are humbled by the movie’s success. We are grateful to theLas Vegas Film Festival and the international poker community for the support.”
Currently the DVD is only available at www.HittingTheNuts.com, but accordingto Boyd, “We are getting very close to a wider distribution deal that will getthe DVD to major retail centers, as well as a digital version to outlets like iTunesand Netflix.”
Hitting The Nuts is produced by Rebel Pilgrim Productions with offices in Las Vegas, Nevada and Cincinnati, Ohio.
xxx

A Filmmaker’s Dilemma – What to Cut?

We are busy putting the final touches on the Hitting the Nuts DVD. (It comes out April 15th.) As a result, we have been able to resurrect a few of the scenes that did not make the final cut to use as DVD extras. The first cut of the movie was over 180 minutes long. The final cut is under 100 minutes. We removed enough footage to make a second feature film during the editing process. Some very funny stuff landed on the cutting room floor. Most scenes were deleted because they didn’t move the story forward. They may have been hilarious and well acted, but they didn’t help get us where we needed to go.

Today we released on youtube one of the deleted scenes that will be on the DVD. It is one of my favorites. It features my friends Matt Donnelly and Nick Ghizas playing father and son, “Dirty” and Josh Rivers. If you aren’t aware, this entire movie was improvised. There was no pre-scripted dialogue. It all happened in the moment. To me, this is comedy at its simplest form: two selfless improvisers setting the other up for success. I hope you enjoy it:

For more information on Hitting the Nuts check out the official site at www.HittingTheNuts.com.

Hitting The Nuts on DVD!

I have some exciting news about my movie, Hitting the Nuts. I will paste it below after a short disclaimer.

This blog has been my companion and voice to the world for nearly ten years now. I have had a variety of jobs and activities through the years – reflecting upon all of them in this online journal. This movie, Hitting the Nuts, began as a script way back in 2006. At that time I was living in California and working as an actor and improviser. It has taken five years to get it to DVD. And to be honest, it has felt that long! I’m proud of it. It is funny, which was the first goal. And it has a heart.

I want to make it clear that it is not a Vineyard project. It began before my time at the Vineyard and was finished in my spare/vacation time. It’s PG-13ish and reflects the sorts of movies that I enjoy to watch. It is not a “Christian” movie, but rather a stand alone piece of comedy. The comedy and content is reflective of the sort of material you would see on Saturday Night Live or The Office. If that stuff bugs you, you may want to pass on it.

With that disclaimer, if you’d like to get the DVD I have pasted the official announcement below that was just posted on www.hittinthenuts.com

Hitting the Nuts on DVD for Limited Run!

March 11, 2011

We are excited to announce that Hitting the Nuts: The True Story of the Scott County Series of Poker will be released on DVD April 15, 2011. This is an initial limited release of the movie for our current fans and supporters. This is the first step of a larger distribution plan that will include digital downloading, Pay Per View and other options in the summer of 2011. However, getting the DVD now is the only way to see the movie until then.

For those who have been supportive of Hitting the Nuts since its conception in 2006, we will be offering pre-orders of the DVD for $11.99 plus S/H. After April 15th, the price for the DVD will be $16.99 plus S/H. Pre-orders may be placed beginning next Wednesday, March 16th only at the official website: www.HittingTheNuts.com. The site will re-launch that day with a new design.

This is our first step to get this hilarious, multi award-winning comedy to the world. We’d love you to be among the first to see what we truly believe is on the verge of becoming the breakthrough independent comedy of 2011.

We’d like to again thank the Cincinnati Metro area for all of the support we have received. Rebel Pilgrim Productions has never doubted the decision to film in Cincinnati. We will be shooting our next movie, A Strange Brand of Happy, there in September of this year. We are proud to announce that we will be having our official DVD Launch Party in Cincinnati on either April 14th or 15th at an undetermined venue. We will post the details as we know them on our official Facebook page at www.facebook.com/HittingTheNuts and on our official Twitter at @HittingTheNuts. We will also be giving away free HTN DVD’s and T-shirts beginning today on both Facebook and Twitter.

Beginning March 16th we will release a new promotional video showing the first few scenes of the movie for free. It will be on the official site and all of the social networks.

Retailers wishing to buy the limited run DVD’s in bulk may do so while supplies last at a negotiated rate. Please email the company at HittingTheNuts@gmail.com.

Thanks again for your support.

Joe Boyd,

Rebel Pilgrim Productions
Producer/Director, Hitting the Nuts

*Hitting the Nuts is not rated, but would likely be PG-13 for some crude humor and mild language.

2010 – In Reflection

Here are my thoughts as I look back on my personal journey this year. Some themes and values have risen to the top. It was a good year.

Persistance:

This year several of my long-term ideas became realities. I saw a book and a movie completed that were a combined 15 years in the making. Good things take time…lots and lots of time. I think about the things I am working on now differently. So much of life is putting one foot ahead of the other…and then when you get pushed back a few hundred steps, starting over again.

Passion:

I am a passionate fella, but I have felt like I have been operating on a half-tank of passion for the last five or six years. 2010 was the year that I sensed a return of some of the passion that was lost through the trials of my early experiences. I feel more ready for what is next than I have in a long time, especially as it relates to ministry.

Learning:

This ties into “passion” for me. I am a learner and always have been, but there are seasons when I learn more as life comes at me…and other seasons when I seek to learn more aggressively. The switch was flipped back to a more aggressive learning posture sometime this year. I think this will progress more in 2011. I’m looking into some graduate school options beginning in the fall of 2011.

Improvisation:

Improv started as a hobby for me. Then it became a career. Now it is a lifestyle. It has connected mysteriously to my spiritual gifts and personality. I am not speaking about doing comedy gigs in this context – it is much deeper than that. I am learning that I teach and lead best as an improvisor. I have known this for years, but I tend to not say it because it can come off like an excuse for being disorganized or unprepared. This isn’t the case. I think for me it means that I must focus more on organizing my life and preparing for situations before they arise. The statement in I Peter 3 has come to mean more to me this year…“always be prepared to give an answer to anyone who asks you to give the reason for the hope that you have.” My goal as a teacher would be to be able to teach from a Kingdom-context about anything at any moment – to always be prepared. This has come to mean that it is more important for me to prepare myself for a message than to prepare a message for an audience.

Gratitude:

I have had some tough years, but this was not one of them. I cannot help but think that this life stage for our family will be looked back on with much joy in the years to come. My kids are growing up, but still kids. As Debbie and I approach our sixteenth anniversary this week I am confronted with the beautiful reality that if I date my life back to my earliest memories – half of it has been as her husband. I’d say that I am a lucky guy, but that seems rather trite and understated. I am humbled to have been given the life I have. I don’t deserve it. It is all grace.

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